Search results for "sound studies"

showing 3 items of 3 documents

Compte rendu de : Basile Zimmermann, Waves and Forms. Electronic Devices and Computer Encoding in China, Cambridge, The MIT Press, 2015, 296 p.

2018

International audience

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing artsSound Studies[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[SHS.HIST] Humanities and Social Sciences/HistoryChinese Studies[SHS.INFO]Humanities and Social Sciences/Library and information scienceshistoire de la musiquesinologie[SHS.HIST]Humanities and Social Sciences/History[SHS.INFO] Humanities and Social Sciences/Library and information sciencesComputingMilieux_MISCELLANEOUShistoire culturelle
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Odyssey Towards a Sirenic Thinking: An Attempt at a Self-Criticism of the Listening Paradigm Within Sound Studies

2021

Abstract This text departs from a contradictory claim in deaf studies and sound studies: both disciplines describe a hierarchical regime of the sensible – visuocentrism and audiocentrism – which they try to counter with conceptualisations as “acoustemology” or “deaf gain.” However, as we argue, they both thereby erect what they claim to overcome: a sensual regime that privileges one sense over another and a restricted conception of subjectivity deriving from it. First, we draw a philosophical line in the critique of sensual regimes. Then we propose a figure for the transcendence of the separation of the sensible: in re-reading of the myth of Odysseus and the sirens, we engage various exampl…

100 Philosophie und Psychologie::100 Philosophie::102 VerschiedenesSelf-criticismsirensB1-5802audiocentrismSound studies102odysseusPhilosophyacoustemologysensory regimecritical theoryCritical theoryAestheticsacoustic instrumentsonic thinkingActive listeningsound studiesvisuocentrismPhilosophy (General)PsychologyOpen Philosophy
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Digital and Handcrafting Processes Applied to Sound-Studies of Archaeological Bone Flutes

2016

Bone flutes make use of a naturally hollow raw-material. As nature does not produce duplicates, each bone has its own inner cavity, and thus its own sound-potential. This morphological variation implies acoustical specificities, thus making it impossible to handcraft a true and exact sound-replica in another bone. This phenomenon has been observed in a handcrafting context and has led us to conduct two series of experiments (the first-one using handcrafting process, the second-one using 3D process) in order to investigate its exact influence on acoustics as well as on sound-interpretation based on replicas. The comparison of the results has shed light upon epistemological and methodological…

010506 paleontology03 medical and health sciences0302 clinical medicineComputer scienceProcess (engineering)Morphological variationFluteContext (language use)01 natural sciencesArchaeologySound studies030218 nuclear medicine & medical imaging0105 earth and related environmental sciences
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